陳美如
E-Mail：Midnight2313@yahoo.com.tw
◎作者簡歷
中國文化大學美術系研究所畢
2018臺灣輕鬆藝術博覽會展出
2018中華漆畫學會在國父紀念館聯展「大漆風潮」。
2018「Swan Goose」作品獲首屆「IWS馬來西亞國際水彩畫雙年展2018」入選，年底在吉隆坡展覽。
2016參加義大利米蘭M.A.D Gallery 舉行的「Adunanza」International contemporary art exhibition。
◎創作理念
漆的黑無以形容，給人的感覺：第一大氣、第二神秘。漆黑色的熒熒之光中所帶有的深邃和靜謐是中國禪宗的意境。通過映射，使得觀者產生對空間的參與感和共生感，老子在德經中曾說：「玄之又玄，眾妙之門」，最黑最黑的境界，是萬物都能包含其中，包括天地；筆者就是一眼被這樣的大漆之美所吸引。加上在日留學期間對於琳派作品的奇思巧構，設色艷而不俗，作品極盡裝飾的本色之餘卻能重新締造有個性、有工藝匠心的日本美術特質所吸引，因此筆者以琳派裝飾風格與工藝特質融入在自己的漆畫作品中，在表現主題上除了精緻與裝飾的美感情趣外，又能兼容陸九淵的「心學」要義：「宇宙即吾心，吾心即宇宙。」把整個宇宙納入心中，又從人心尋繹出一個宇宙間的共同性來。
The blackness of a lacquer painting is indescribable, it gives people the feeling of first, luxury and second, mystery. The abstruse and quiet carried by pitch-black flickering glimmer are the artistic conception of Zen Buddhism in China. Through mapping, the viewer has a sense of participation and a sense of symbiosis in the space. Tao Te Ching of Laozi once stated: "Reaching from the Mystery into the Deeper Mystery Is the Gate to the Secret of All Life." The darkest state is that everything can be included, including Heaven and Earth; the author is instantly attracted by the beauty of such lacquer carving. In addition to the thinking ingenuity of Rinpa’s school work in the period of studying in Japan, the design is bright and cheery, and the work has a very decorative nature. There is a craftsmanship spirit in Japan that can recreate its personality. The art traits are attracted, so the author uses Rinpa school’s decorative style and idiosyncratic of craftsmanship in his lacquer painting works. In addition to the delicate decoration of the theme’s aesthetics, it can also be compatible with the "Mind Philosophy" of Lu Jiu-Yuan. Essentially: "We are one with everything in the universe, everything in the Universe, everything is in our hearts." Put the entire universe into the heart, and then find a commonality between the universe from the human heart.