胡在晴
E-Mail：chocolate6320@gmail.com
◎作者簡歷
2019 國立臺北藝術大學美術創作研究所畢業
2015 國立臺北藝術大學美術學系畢業
展覽
2019 臺北國際藝術博覽會，赤粒藝術，臺北
2019 歇斯皮肉_胡在晴創作個展，私藝術空間，臺北
2018 筆墨．之外，赤粒藝術，臺北
2015 藝術新聲-十校畢業生推薦展，大墩文化中心，臺中
2015 前進曠野-北藝大第三十屆美術系畢業展，北藝大地美館，臺北
獎助
2019 張光賓獎學金
◎創作理念
我的作品使用之媒材主要以盛上胡粉為主，水墨顏料則次之。盛上胡粉為膠彩顏料的一種，是風化後的牡蠣殼製作而成，通常被當作打底或是堆高的材料，類似於gesso在西畫中的用途，舉例來說，有些人會先以一層不平均的盛上胡粉作基低的肌理；有些人則是在畫面打完底稿後在部分塗上盛上胡粉，像人物身上的珍珠項鍊、耳環等等，作局部堆高的效果，乾燥後再塗上顏料或貼貼金箔，使之顯得突出或華麗。
而我的作品則是更多元、大量的運用這個媒材，發掘此媒材的特殊性。作品中常見的水漬痕跡，是因盛上胡粉調膠後塗在生紙上，它本身並不會暈開，但其內的膠水則會在周遭的紙面上淤積，產生不規則的水漬紋路。另外，畫面中有許多浮凸的效果，是以盛上胡粉堆疊於紙背，凝固、乾燥後經過裱褙的過程。我希望能從胡粉盛上、紙本、墨和彩，這些被認為是「傳統的東方媒材」上，創造出更多采、當代的創作風貌，打破觀者對水墨、膠彩既定的想像。
The material used in my work is mainly pumice stone powder, with brush ink color used right after. Pumice stone powder is a kind of glue color, made by oyster shells after weathering, it is usually used as underpainting or piled material, similar to gesso in Western paintings. For example, some people will first do an underpainting with a layer of uneven pumice stone powder as the base skin texture; some people will prepare a draft on the painting and then partially apply it to pumice stone powder. It is like a pearl necklace, earrings, etc. worn on the character, giving it a partial stacking effect. After it is dried, paint color or paste a gold leaf to make it appear prominent or gorgeous.
And my works are more multifaceted, a lot of use of this material, and the exploration of its specificity. The common watermark artifacts in the work are mixing glue by pumice stone powder and then coated on raw paper. It does not spread itself, but the glue inside will be silting-up on the surrounding paper surface, producing irregular watermark artifact. Additionally, there are many embossed effects on the paintings, which are pumice stone powder stacked on the backing paper, solidified, and dried through the process of Zhuangbiao. I hope to create more colorful and contemporary art creations from pumice stone powder, paper, ink, and color, which are considered to be the "traditional oriental media", breaking the viewer's stereotypes of ink and glue painting.