入選-陳錦忠

我的創作來源，均以傳統書畫為根源，其中更注重線條的運用，以筆線皴法來建構出一種內在文人精神，但較儒家思維不同的是，我以更繁雜緊密的佈局，精準深刻的批判對象，希望作品以看似古典的形式，讓大眾閱讀的同時，產生有別於傳統水墨的閱讀經驗，書寫的部分，早期仍沿用行草的方式落款，但慢慢的實驗以不同的方式呈現，以食物為靈感的作品，因為有深刻批判的人與之連結，故以類似拓印的方式呈現文字，加強了字句本身的力量，拓印文字原是將道統碑文記錄下來的一種藝術形式，但在我的作品中，那看似拓印的文字，其實是極具批判性的文字，這也是我對當代全球化下的一種文人式的反芻。

◎ Creation Ideas

All my works are rooted in traditional calligraphy and painting, of which pays more attention to the use of lines while using the Wrinkle Method in the construction of an internal literati spirit. However, different from the Confucian way of thinking, I criticized the target accurately and deeply with a more complex and compact layout, hoping that the works could be read by the public in a seemingly classical form and generate reading experience different from traditional ink and wash painting. The writing part was still signed in cursive style in the early stage, but gradually the experiment was presented in different ways. This work is a food-inspired work. Because it is connected with people who are deeply criticized by it, the text is presented in a similar way to rubbings, which strengthens the power of the words themselves. The rubbing script was originally an artistic form that recorded the traditional inscriptions on tablets. But in my works, the seemingly rubbing script is actually a very critical one, which is also my reflection on the literati style under the contemporary globalization.

璞玉發光-全國藝術行銷活動

108年得獎者

入選-陳錦忠