巴梅莉 Maria Barban
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2023 國立臺北藝術大學美術學系碩士班創作組畢業
獲獎
2024 第二屆中國信託當代繪畫獎 入選
2023 112年全國美術展油畫類 入選
展覽
曾與涅普頓畫廊合作，多次參與台北藝術博覽會及各地飯店型藝術博覽會。2023年於日本東京至峰堂畫廊舉辦個展《獵戶座的腰帶Orion's Belt》。
創作理念
本次創作以「珍奇櫃」（Cabinet of Curiosities）為核心概念，透過〈歸真之地〉、〈豐盈之島〉與〈南方十字星下的巨岩〉三件作品，建構介於現實與想像之間的心理地景。作品中的島嶼象徵藝術家歷年累積的記憶、感知與創作經驗，那些無法被歸類的事物、幻想人物與奇珍異獸，皆被收納於個人的精神檔案之中。畫面透過色彩、空間結構與物件配置，重新組織內在情感與觀看經驗，使零散的記憶轉化為彼此關聯的視覺敘事。漂浮於抽象時空中的島嶼，如同獨立而相互牽引的意識單元，共同構成一則持續生成的私人神話。在虛構與真實之間，作品試圖探討內在感知如何被景觀化與物質化，並成為與現實世界對話的媒介。
This body of work is centered on the concept of the Cabinet of Curiosities, unfolding through three paintings—The Land of Authenticity, The Island of Abundance, and The Great Rock beneath the Southern Cross. Together, they construct psychological landscapes that exist between reality and imagination.Within these imagined islands reside the artist's accumulated memories, perceptions, and creative experiences. Objects that defy categorization, fantastical figures, and extraordinary creatures are preserved as entries within a deeply personal archive of the mind.Through the orchestration of color, spatial composition, and the arrangement of symbolic objects, fragmented memories are reorganized into interconnected visual narratives. Suspended within an abstract dimension of time and space, each island functions as an independent yet interconnected unit of consciousness, collectively forming an evolving personal mythology.Situated between fiction and reality, these works explore how inner perception can be transformed into landscape and material form, ultimately becoming a medium through which the self enters into dialogue with the external world.